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Sacrifice and Providence

John Wilkinson                                 Third Presbyterian Church  March 7, 2004                                  Genesis 22:1-19

(Preached in conjunction with a presentation of Benjamin Britten’s
“Abraham and Isaac” by Robert and Matthew Swensen)

Perhaps no biblical story is freighted with as much conflict and difficulty as this one. It has traveled with controversy even unto this moment. In the 1500s, traveling troupes of actors would perform biblical stories for the people until the authorities halted such things. Some 500 years later, Benjamin Britten set this text, one of the Chester miracle, or mystery, plays, to tune.

Some 20 years following that, sculptor George Segal responded to a commission by creating the artwork depicted on the bulletin cover. May 4, 1970 is a day many of you will remember, but the authorities at Kent State University deemed Segal’s work too provocative, so it resides now at the Princeton University Chapel. It has been the subject of vandalism on the Princeton campus. Perhaps these authority figures were onto something.

The subject, in any case and whatever case, was faith. In preparation for his effort, Segal had read Soren Kierkegaard’s famous Fear and Trembling, from the 1800s, which enters Abraham’s psyche and explores every machination possible to avoid what God asks. The sculptor focuses on Abraham’s dilemma, as, perhaps, do we.

The Bible invites us to enter the character’s hearts and minds, does it not, and yet here we are not so sure what to do with what we encounter. What kind of God would ask for such a sacrifice, and what kind of father, parent, would agree to do it?

There will be no clear answers even this morning, but perhaps an encounter with this ancient story might deepen our faith just a bit. Kierkegaard’s Fear and Trembling is a good place to linger for a moment. Kierkegaard writes of the absurdity of faith, hovering between the finite and the infinite, like a dancer who has made the perfect leap and for a moment hangs in the air before returning to earth.

We live somewhere in that balance, he suggests, when we seek to know with certainty and then launch that certainty into the air. His phrase is “infinite resignation.” He speaks of paradox, a word that drives us to annoyance. We want clarity, simple, cut and dry answers. Yet even we know that such clarity cannot exist.

Abraham and Isaac present such a moment, when the father’s love for his son exceeds his love of self, yet when his love of God does the same thing. Everything is suspended in that moment.

We never ourselves would face such a trial. Kierkegaard muses that he appreciates Abraham as much as he is appalled by him. Perhaps that is where we are.

Though I have not yet seen the movie (“The Passion of the Christ”), surely those same themes are at play – denial and sacrifice, submitting to the divine will in the face of every human protestation.

In less philosophically lofty language but no less profound, Walter Brueggemann suggests that it is not until this story that we see how serious faith is. (Interpretation Commentary, pages 185 and ff)

And how anguished. The intent of the story is not clear, Brueggemann says, so its meaning is left to the interpreter. Us, namely. And we are not certain what to do.

What do we learn of God, who requests the sacrifice of a beloved son and who, at the last minute, provides a substitute sacrifice?

Brueggemann insists that the pivot point happens at verse 8 of Genesis 22: even as Abraham is leading his son to this horrible thing, he insists that God will provide a lamb for the slaughter.

Perhaps, as Brueggemann suggests, we learn a considerable amount about each of the dramatic personalities – simply put like this: God will provide. Abraham trusts.

Abraham’s radical obedience cannot be avoided, nor can its implications be ignored as we enter more deeply this Lenten rhythm, whereby God’s very beloved, love incarnate, will be sacrificed.

The “why” of the question will continue to mystify theologians and perplex the rest of us, but the “what” of such radical obedience is all too present. Defying explanation, but not defying exploration about who God is and who we are in the face of who God is.

God is gracious and faithful. But God is also sovereign and free. We live in that paradox, the paradox of promise and command. God provides, but we would have chosen for God’s provision to happen much prior to the call for sacrifice. And yet mystery is God’s way, the mystery of God’s “testing and providing.” (Brueggemann, page 192)

Theologians use feeble words feebly. Perhaps it is better left, these providential matters, to others to articulate it for us: the playwright and composer and sculptor.

And all of us – for we do it every day. We place our lives in the midst of providence, beyond the reasonableness and rational consistency that we seek.

Perhaps on this Lenten morning, that is our invitation, to walk more deeply into the mystery, to make a leap of faith into the paradox of divine proclamation and human response, to trust, somehow, that God will provide and to journey into that providence with the promise of resurrection always at the far horizon. Amen.

 

 




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